Review of High Art (1998) by Peter Rainer for Dallas Observer — 25 Feb 2010
With more angst than you can shake a stick at, High Art sets a new course for the indie American film. Instead of the usual Scorsese-esque buddy confab, we have something closer to the funky Fassbinder world of marginalized, pansexual depressives.
You can read the full review where it was originally posted online.
This review of High Art (1998) was written by Peter Rainer and published by Dallas Observer on 25 Feb 2010.
High Art has generally received positive reviews.
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