Review of Hello, Dolly! (1969) by Eric Henderson for Slant Magazine — 31 Oct 1997
The choreography, the performances, the set decoration, the dialogue, everything about Hello, Dolly! is played directly to the back row of the theater, which would be fine on the stage, but on anamorphic widescreen close-ups tends to be more frightening than mirthful.
You can read the full review where it was originally posted online.
This review of Hello, Dolly! (1969) was written by Eric Henderson and published by Slant Magazine on 31 Oct 1997.
Hello, Dolly! has generally received positive reviews.
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