Review of Haywire (2011) by David Edelstein for New York Magazine (Vulture) — 23 Jan 2012
Soderbergh tends to get one big idea - a thesis idea - per film and stick with it even when a touch more flexibility would help. Here it's that non-kinetic camera, which he's so wedded to that parts of the film seem underenergized, like a cheap seventies or early eighties picture you'd catch at two in the morning on Cinemax's tenth most popular channel.
You can read the full review where it was originally posted online.
This review of Haywire (2011) was written by David Edelstein and published by New York Magazine (Vulture) on 23 Jan 2012.
Haywire has generally received mixed reviews.
Was this review helpful?
Yes
No
