Review of Greta (2019) by Anthony Lane for The New Yorker — 04 Mar 2019
If you lack a taste for such hokum, Greta is still worth seeing, for the sake of Isabelle Huppert: an A-grade performer, by any standard, as shown in the rigors of “The Piano Teacher” (2001) and the vengeful perversity of “Elle” (2016).
You can read the full review where it was originally posted online.
This review of Greta (2019) was written by Anthony Lane and published by The New Yorker on 04 Mar 2019.
Greta has generally received positive reviews.
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