Review of Giraffe (2020) by Mark Asch for The Film Stage — 14 Dec 2020
The film’s vibes are melancholy and Scandi-modern, cozy and bougie, here are lovely interludes of fallow fields in white-nights summer twilight, and scenes filmed over FaceTime or as video messages nicely evoke the textures of this interconnected, transient century.
The becalmed mood and associative dramaturgy at times recalls Angela Shanelec, though Hartmann is not quite as rigorous.
You can read the full review where it was originally posted online.
This review of Giraffe (2020) was written by Mark Asch and published by The Film Stage on 14 Dec 2020.
Giraffe has generally received mixed reviews.
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