Review of Harriet (2019) by Mark Asch for The Film Stage — 14 Sep 2019

Drawing from Tubman’s devout belief and history of seizures and visions, the film makes much of her visions, divine interventions which seem to appear anytime it’s dramatically convenient, alerting her to danger with considerable specificity.

This magical-thinking approach to religion is a dramatic crutch for a film that maintains a hindsight perspective on Tubman, leaving a lot of blanks in its historical account and delegating much of Tubman and the Underground Railroad’s process and organization to supporting characters to handle offscreen.