Review of Get Low (2010) by Sergio E — 21 Apr 2011

Felix Bush: [to Buddy] For every one like me, there's one like you, son. I about forgot that.

"Get Low" is, in part, considered a psychological drama, it's also one of those films that can be classified as almost anything because the actors are able to add so many layers of interest with intrigue and comedy.The movie I think is expected to be slow moving, but it actually drags at times.

Starring an almost unrecognizably old Robert Duvall and a Jarmusch-styled Bill Murray, respectively, as a hermit wanting to host his own funeral and a funeral home director wanting his business. On the surface, it's a very slow drama because that is essentially all that happens, Murray helps Duvall plan his own funeral. But we are saved from a tedious drama by the actors' comedic timings. There's a lot of dry humour that I found myself laughing out-loud many times. The significance of the film is the psychology in its heart. Throughout, Duvall drops hints as to what his character is all about. You find yourself thinking about who he really is, and what he really means with every line he says. Robert Duvall just may be the best subtle actor.

"Get Low" is very stylized. Set in the 1930s, the director and cinematographer paid attention to the lighting, casting shadows where they wanted them, providing a dark atmosphere when needed to echo the times of the depression-era. I'll also call the humour stylized, it's dry, and it can take you a minute to make sure you got it right.

This is a very odd film centered on the story of 1930's Tennessee backwoods recluse Felix Bush, played exceedingly (no surprise) well by Robert Duvall. We learn - slowly - that Felix has been in a self-imposed exile carrying enormous guilt over an incident from 40 years prior. The wonderful thing is that it takes us just about the entire film to discover what caused this guilt and how Felix has dealt with it.

Over that 40 years, the legend of old man Bush has grown with the town people. It is approaching Tall Tale status when he whips up on a local wise-ass on one of his rare visits to town. When Felix realizes that stories have been concocted about him over the years, he heads to local funeral home to arrange a "funeral party" where everyone can come and tell their stories. The local mortician is played by Bill Murray and I can best describe his personality as eager opportunist.

While this appears to be a slow moving story, it really isn't. The real motivation for the party, a reconnection with the past and a cleansing confession all play a part in this fine story. Sissy Spacek plays a painful link to Felix' past, as well as a key to this latest/last event.

Three excellent performances by Duvall, Spacek and Bill Cobbs really make this one work. Bill Murray and Lucas Black hold up their end by supplying a bit of humor and purity, respectively, though the story really belongs to Duvall. His ability to convey emotion with a grunt or facial expression is just amazing to watch.

My only real complaint with the film is that it lasted about 2 minutes too long. The perfect ending had occurred and then we are dealt one final, seemingly forced scene. A minor quibble with a film that kept me fully engaged.

It's the 30's, and in Caleb County the loathed hermit, Felix Bush, offers a large amount of money to the local Rev. Gus Horton to organize his funeral, but the preacher refuses the request. Family man, Buddy Robinson overhears the conversation and talks to his boss Frank Quinn. They decide to visit Felix and offer him the services of their Funeral Home. Felix requests a funeral party and invites anyone that has a story to tell about him. Furthermore, he offers his three hundred acre land up as a prize in a raffle. When Felix asks Buddy to drive him to Illinois to see Rev. Charlie Jackson, Buddy learns that Felix has a painful secret and need the help of his friend to disclose it to the population.

Felix Bush (Robert Duvall) is a hermit who has no regard for anybody in the town or anyone who wants to get to know him. But one day, after a fellow old hermit as died and he hears people in the town telling stories about him, he decides that he needs to get these stories out in the public. He recruits Frank (Bill Murray) the local funeral home director to host his own funeral. This way he can hear what everyone is saying about him, and get the truth to his past out in the open. But will he be able to get anybody to come? And will he be able to reveal his secrets?