Review of Firewall (2006) by Markb. — 26 Jun 2006

Proving once again Ecclesiastes' claim that there's nothing new under the sun, this passable but forgettable actioner plays like a techno-geek update of one of Humphrey Bogart's last films, the 1955 thriller The Desperate Hours, in which Bogey and his gang of criminals hold an all-American family hostage in their home.

This time out, Harrison Ford plays Fredric March's old role of the desperate but intrepid father, but the stakes have definitely been raised: ruthless Paul Bettany wants Ford to use his computer skills to drain money from the bank Ford's an executive at so Bettany can donate millions and millions to the Salvation Army.

(Just kidding.) One of Desperate Hours' most pungent throwaway moments came when the understandably stressed March, who was forced to continue going to his office as though nothing were going on at home, is asked by an observant co-employee if he's all right and if there's anything he can do, and March snaps, "You can mind your own business!" Such behavior, while understandable under the circumsatances, is nevertheless unpleasant to watch, and one of the main problems with Firewall is that Ford is forced to behave this way ALL MOVIE LONG.

Despite this and an acutely been-there-done-that final confrontation that belies the intriguing technological hooks that precede it, this manages to be surprisingly watchable in light of all the Adventures In Unwatchability that Ford has bludgeoned us innocent moviegoers with over the past few years: What Lies Beneath, K:19 The Widowmaker, Sabrina, Hollywood Homicide and the spew-inducing Random Hearts.

(Hell, in comparison to the last three, Firewall is Raiders of the Lost Ark and Witness combined!) The energetic music score by Alexandre Desplat, which often makes the movie seem more exciting than it is, helps a bit; a really appealing supporting performance by MaryLynn Rajskub (who constantly makes her arrogant character on TV's 24 surprisingly sympathetic and fun to watch) helps even more.