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Review of by Alexandra W — 21 Apr 2010

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It's 1933, the Depression's on, Prohibition's off, and Ruth Chatterton plays a motor company's CEO who uses men like tissues and wears elbow-length gloves while she negotiates high-stakes business deals.

Additionally, she lives in a Frank Lloyd Wright house with a huge pipe organ inside, and all of her male underlings fear and respect her. She's efficient, competent, and not a bit weak. Except for that whole needing to be seen as a woman thing.

Eventually, of course, she realizes she cannot be female and a businessperson at the same time. So, she eschews the world of business for the love of a good man. Or does she?

First, let's examine how she gets her man.

She talks to her assistant about what men want in women, and he tells her softness and all that stuff. In the next scene, this same assistant invites the man of her dreams (George Brent), who has been spurning her advances, to a company picnic. When he arrives, Ruth Chatterton is the only one there. He's been through her seduction routine and doesn't want any part of it, but she pretends not to know how to start a fire and pretends to be afraid of an owl. We know she's gotten him here by lying, and we know she's keeping him here by lying. Then, this scene happens:

George Brent (1933 Hottie Edition): Since I've met you, you've been 4 different women. The woman at the shooting gallery--she was amusing; the woman at the automobile plant--she was cold and efficient; the woman at your apartment--I didn't like her; and now you, here.

Ruth Chatterton (Strong Resemblance to Bernadette Peters Mixed with Mary Astor Edition): And what do you think of her?

George: I like her.

Ruth: And which do you think is real?

George: This one.

I beg to differ.

So, hijinks and light melodrama ensue, she promises to marry him and give him the run of the company, and the movie ends, but I don't think she's actually going to just hand him the reins. I think she's lying to him again, and I think there's plenty of textual evidence to prove it. But what does this all add up to? That women--especially business-minded ones--are backstabbing, manipulative, and morally bankrupt, of course!

This review of Female (1933) was written by on 21 Apr 2010.

Female has generally received mixed reviews.

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