Review of Eyes Wide Shut (1999) by Mrelvey — 29 Dec 2012
Pretty awesome if you examine it closely. But sucks if you just take it at face value. Like Shakespeare in that way.
I just watched it again, and read Introducing Sociology.
A Review of Eyes Wide Shut.
By Tim Kreider It's such a greatPretty awesome if you examine it closely. But sucks if you just take it at face value. Like Shakespeare in that way.
I just watched it again, and read Introducing Sociology.
A Review of Eyes Wide Shut.
By Tim Kreider It's such a great review of the movie's reviews (and it's free and online, though originally from "Film Quarterly".) I just had to come here and, I see, finally (over 2 years after joining) post my first review in order to mention it - it's such a great read-perhaps better than the movie itself.
It's pretty awesome to see how a thorough analysis makes such a mockery of the run-of-the-mill reviewer's reviews - those from the New York times and Washington Post.
The movie is chock full of masterful iconography. While I missed little of the visual symbology, such as the use of spaciousness, and evil symbology, I didn't pick up on most of the linguistic symbols, from witty names like that of the profligate "Doctor Bill" and ruling class "Victor" to the commercial signage.
The greatest strength of the film is the social criticism angle - like 'Pig Hunt', which I played a tiny part in producing. It lays bare an exquisite panorama of crassness and wretchedness, like pig adorned in diamonds and pearls.
Somehow, the acting was believable and I was drawn into the movie, even as the characters came across as the flattened sterotypes that Kubrick clearly wanted.
This review of Eyes Wide Shut (1999) was written by Mrelvey on 29 Dec 2012.
Eyes Wide Shut has generally received positive reviews.
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