Review of Eraserhead (1977) by Pauline Kael for The New Yorker — 24 Oct 2005
The black-and-white world of Eraserhead disturbs, seduces and even shocks with images that are alternately discomforting, even physically off-putting, and characterized by what André Breton called convulsive beauty.
You can read the full review where it was originally posted online.
This review of Eraserhead (1977) was written by Pauline Kael and published by The New Yorker on 24 Oct 2005.
Eraserhead has generally received very positive reviews.
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