Review of Elevator to the Gallows (1958) by Richard C — 01 Apr 2007
After killing his adulterer's (Moreau) husband, Julien (Ronet) realises he has left evidence at the scene of the crime but an attempt to cover his tracks results in him becoming trapped in the building's elevator. Outside his car is stolen by two youths and so begins a chain of ill-fated events.
Drawing upon the dark, brooding style of American Film Noir cinema, Malle's debut feature is a fantastic example of the versatility and inherent "coolness" that became ingrained in French Cinema during the late 50s/early 60s. With its Miles Davies score, gorgeous black and white cinematography, seductive pouting from Moreau and nimble script, this film is vibrant and dazzling in its execution. As you watch the crowd's hustle and bustle their way through the city, you can't help but be drawn into the indelibly hip atmosphere of the Parisian bars. Highly recommended for fans of the French Nouvelle Vague.
This review of Elevator to the Gallows (1958) was written by Richard C on 01 Apr 2007.
Elevator to the Gallows has generally received very positive reviews.
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