Review of Drag Me to Hell (2009) by Samaila A — 24 Apr 2014

Sami Raimi regresa con su estilo peculiar en los thrillers para dejar su huella más tiempo hasta su nueva obra.

This review of Drag Me to Hell (2009) was written by Samaila A on 24 Apr 2014.

Drag Me to Hell has generally received positive reviews.

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More Reviews of Drag Me to Hell

Review of Drag Me to Hell (2009)

By Panchogul (602) on 24 Jul 2020

En varios aspectos pareciera ser una especie de Spin Off espiritual de The Evil Dead del mismo director, lo cual para mí no es decir mucho…

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Review of Drag Me to Hell (2009)

By Alejandro970 (859) on 02 May 2021

After the Spiderman trilogy, Sam Raimi returns to his roots, those of the horror genre, and in some form…

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Review of Drag Me to Hell (2009)

By Captain G (1) on 04 May 2017

You might have to see Sam Rami's Evil Dead movies to understand why this film is great…

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Review of Drag Me to Hell (2009)

By Moses S (34) on 28 Aug 2017

Hell yeah Sam Raimi back to his origins. Fuck Spiderman…

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Review of Drag Me to Hell (2009)

By Noah M (400) on 19 Feb 2018

Not a huge fan of the leading actress in this role, and a few of the slapstick, raunchy horror jokes could be thrown away, but the end result…

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Review of Drag Me to Hell (2009)

By Johann M (432) on 05 May 2018

The movie was somewhat interesting…

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Review of Drag Me to Hell (2009)

By Kyle20Ellis (540) on 09 Sep 2020

This review contains spoilers. Bottom Line: Supernatural horror with here-and-there touches of satire is an irresistible modern Halloween pick…

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Review of Drag Me to Hell (2009)

By Robertson R (95) on 04 May 2017

You might have to see Sam Rami's Evil Dead movies to understand why this film is great…

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Review of Drag Me to Hell (2009)

By Movie3 (61) on 15 Jul 2018

Extreme entertainment with a mix of dark humor and creepy scenarios. They work for a while, but the ending burns down a lot of the fun…

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Review of Drag Me to Hell (2009)

By Glenn Kenny (1,728) for MUBI (191) on 13 Dec 2017

At what point does gleeful cynicism become so gleeful that it ceases to function as cynicism at all, and mutates into a blatant formalist trope…

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