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Last updated: 21 Jun 2026 at 20:34 UTC

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Review of by Walter M — 21 Jun 2014

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Just as Italy is torn over a comatose woman being taken off of life support, Uliano(Toni Servillo), a senator, is called back to Rome for a very important vote on the subject. At the same time, his daughter Maria(Alba Rohrwacher) travels to the woman's hospital to join the vigil. Along the way, she has water thrown in her face at a rest area. Coming to her rescue is Roberto(Michele Riondino) who also writes his phone number on her arm.

As unfamiliar as I am with the events that inspired "Dormant Beauty," and with Italian politics in general, it does come as no surprise that Catholic Italy would lose its collective sanity in all proportion to a case involving privacy. That also serves to explain the heightened emotions that Maria is feeling towards Roberto. And if only the movie had stayed with Maria and her deeply conflicted father, this might have been truly something when there is enough in their respective stories for a feature. Instead, the movie muddles it with two other unrelated storylines, one involving Rossa(Maya Sansa) who is trying for the world record in self-destructtion and yet another comatose young woman. So, instead the central themes turn out to be whether anybody is too far gone to save, while transferring the damsel-in-distress syndrome from Italy to the movie itself with its four women in jeopardy. And in fact, outside of one truly classic do-you-know-who-you-are-dealing-with moment, there is sadly no reason for Isabelle Huppert to be present here either.

This review of Dormant Beauty (2012) was written by on 21 Jun 2014.

Dormant Beauty has generally received mixed reviews.

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