Review of Disclosure (1994) by Ollie W — 08 Jan 2012
Douglas is at his withered, droopily chinned best while Demi Moore makes a frighteningly unpredictable femme fatale. Crichton might belong to the Stephen King world of trashily entertaining guff, but his concepts are enjoyable in a predictable, mildly original sort of way.
Unfortunately Levinson has to make his mark and thus we end with his atrociously sentimental final shot, which, of course, puts everything into perspective.
This review of Disclosure (1994) was written by Ollie W on 08 Jan 2012.
Disclosure has generally received mixed reviews.
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