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Last updated: 19 Jul 2026 at 16:25 UTC

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Diane (2019) - Movie Reviews - Page 2 of 3

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Review of Diane (2019)

By Pomattovich (6) on 31 Mar 2019

A beautiful kind of movie that I sometimes feel like isn't made anymore, or at least rarely released…

Review of Diane (2019)

By David Edelstein (2,124) for New York Magazine (Vulture) (3,519) on 29 Mar 2019

The opening of Diane is simple but packed, like the movie: The more mundane the details, the more redolent it is of time going by too fast…

Review of Diane (2019)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 29 Mar 2019

It is a great pleasure to see actors who know how to use every bit of their real, unfixed faces to show the subtlest details of thought and emotion…

Review of Diane (2019)

By Rex Reed (1,506) for Observer (1,042) on 29 Mar 2019

Enhanced by a moving, three-dimensional performance by the underrated veteran actress Mary Kay Place, Diane is a thoughtful, well-made first…

Review of Diane (2019)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 28 Mar 2019

Diane navigates some challenging narrative disjunctures en route to a spiritual dimension, but it also has quiet moments that speak volumes…

Review of Diane (2019)

By Peter Travers (3,602) for Rolling Stone (4,035) on 28 Mar 2019

What’s never in doubt, however, is the compassion the movie shows to its protagonist, partly based on the women in the filmmaker’s own…

Review of Diane (2019)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 28 Mar 2019

The triumph of Diane is that the movie, no less than its heroine, refuses to be diminished…

Review of Diane (2019)

By Lawrence Garcia (34) for The A.V. Club (5,644) on 26 Mar 2019

In all this, there remains a purposeful if haphazardly realized design…

Review of Diane (2019)

By Alex Saveliev (258) for Film Threat (5,156) on 25 Mar 2019

No wonder that cinematic auteurs like Martin Scorsese and Oren Moverman produced Diane…

Review of Diane (2019)

By Chuck Bowen (756) for Slant Magazine (8,298) on 24 Mar 2019

Every moment in Jones’s film is so precisely textured that it becomes fantastical…

Review of Diane (2019)

By Paul O'callaghan (20) for Sight and Sound (827) on 13 Nov 2018

A loose-limbed, deceptively modest portrait of small-town Massachusetts as seen through the eyes of a stoic septuagenarian widow, whose loved…

Review of Diane (2019)

By Danielle Solzman (397) for Solzy at the Movies (339) on 17 Oct 2018

Led by a career-best performance from Mary Kay Place, Diane tells the story of a Massachusetts woman who puts others before herself…

Review of Diane (2019)

By Robert Daniels (336) for 812filmreviews (121) on 15 Oct 2018

Life is often meant to come undone, meant for the center to not hold...Diane is about loss and recovery, and the spinning of the world long…

Review of Diane (2019)

By Daniel Nava (97) for Chicago Cinema Circuit (97) on 09 Oct 2018

Leaving me to remark with the blasé, but capital T True statement that Diane is one of the best American films of 2018…

Review of Diane (2019)

By Dennis Schwartz (5,456) for Ozus' World Movie Reviews (5,456) on 23 Sep 2018

It's a poignant and tender drama about aging and atonement for the boomers…

Review of Diane (2019)

By Lorry Kikta (141) for Film Threat (5,156) on 18 Sep 2018

Diane is incredibly satisfying, especially at the end, with all the loose ends tying themselves together in a way that isn’t entirely expected…

Review of Diane (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 04 Sep 2018

Diane falters toward the end, with the story's denouement not quite living up to the provocative set-up…

Review of Diane (2019)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 04 Sep 2018

There’s an outstanding short film lurking within Diane, a sketchy, enigmatic thriller that writer-director Michael Mongillo (reworking a…

Review of Diane (2019)

By Christian Gallichio (84) for The Playlist (3,871) on 08 May 2018

Jones makes both narrative and formalistic leaps, which won’t be spoiled here, that initially are jarring in comparison to the lo-fi aesthetic…

Review of Diane (2019)

By John Fink (368) for The Film Stage (3,162) on 05 May 2018

While not breaking new narrative ground, it’s a confidently-directed picture, even surprisingly ambitious in later passages…

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