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Last updated: 04 Jun 2026 at 17:06 UTC

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Review of by Christian Gallichio for The Playlist — 08 May 2018

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Jones makes both narrative and formalistic leaps, which won’t be spoiled here, that initially are jarring in comparison to the lo-fi aesthetic that precedes it, but truly open the film up to broader implications about how we hold onto the past events and how they constantly resurface.

You can read the full review where it was originally posted online.

This review of Diane (2019) was written by and published by The Playlist on 08 May 2018.

Diane has generally received positive reviews.

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