Review of Death in Venice (1971) by Roger P — 26 Sep 2011
I sometimes criticise films for being slow-moving and dull. "Death in Venice" proves that those two characteristics do not necessarily go hand in hand with each other. This beautiful film may be languid in nature but it is also fascinating.
Based on a tale by Thomas Mann (which I have not read), the story concerns an ageing German composer, Gustav von Aschenbach, who, when convalescing in Venice, becomes obsessed with a young male teenager who is staying at the same hotel as he is.
One of the many obstacles to the fulfilment of his obsession is the impending arrival of an outbreak of deadly Asiatic cholera in the city. This seemingly unwholesome theme is portrayed delicately and sensitively in a film that examines the issues of: the problems associated with striving for artistic and/or physical perfection; the ageing process; the complicated relationship a creative artist has with his audience; and the carnage caused by the general ravages of life.
"Death in Venice" is a film that is stunning both aurally - the film is responsible for popularising the adagio from Mahler's Fifth Symphony - and visually. It is beautifully scripted and directed.
And Dirk Bogarde is excellent as the effete, studious von Aschenbach. This is a cinematic classic. 10/10.
This review of Death in Venice (1971) was written by Roger P on 26 Sep 2011.
Death in Venice has generally received very positive reviews.
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