Review of Crimes of the Future (2022) by Alison Willmore for New York Magazine (Vulture) — 06 Jun 2022
Seydoux may exude voluptuous sensuality, and Stewart may be performing a whispery, dystopian take on a sultry librarian, but the film itself has an aloof, clinical quality. What interests it is not the potential of our physical forms for pleasure and revulsion, but their inevitable failure.
You can read the full review where it was originally posted online.
This review of Crimes of the Future (2022) was written by Alison Willmore and published by New York Magazine (Vulture) on 06 Jun 2022.
Crimes of the Future has generally received positive reviews.
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