Review of Crimes of the Future (2022) by Richard Brody for The New Yorker — 06 Jun 2022
Crimes of the Future is, for better and worse, a conceptual film; it’s less an experience than it is an idea, less a drama of characters’ experiences than an allegory for Cronenberg’s despairingly diagnostic view of present-day crimes, ones that society commits against society.
You can read the full review where it was originally posted online.
This review of Crimes of the Future (2022) was written by Richard Brody and published by The New Yorker on 06 Jun 2022.
Crimes of the Future has generally received positive reviews.
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