Colossal (2017) - Movie Reviews - Page 36 of 40

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Review of Colossal (2017)

By Jim Vorel (49) for Paste Magazine (2,906) on 05 Apr 2017

Colossal is a profoundly weird film-weirder than the already strange synopsis would even imply…

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Review of Colossal (2017)

By Mark Jenkins (515) for NPR (1,713) on 05 Apr 2017

The longer the movie runs, the more its novelty fades…

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Review of Colossal (2017)

By Alissa Wilkinson (499) for Vox (725) on 05 Apr 2017

The result is delightful: While Colossal draws from a few familiar genres, it weaves them together and makes something totally new, and unexpectedly…

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Review of Colossal (2017)

By A.o. Scott (2,100) for The New York Times (9,847) on 05 Apr 2017

Colossal has such an easygoing, offhand vibe, and takes such pleasure in its characters’ foibles, that it camouflages its deep subject, which…

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Review of Colossal (2017)

By Brian Truitt (541) for USA Today (4,117) on 05 Apr 2017

Colossal is as refreshingly different a monster movie as it is a clever, timely take on bullying, domestic abuse and toxic masculinity…

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Review of Colossal (2017)

By Kristen Yoonsoo Kim (115) for Mass Appeal (9) on 05 Apr 2017

It's certainly an interesting idea, but it's perhaps too ambitious for Vigalondo pull off…

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Review of Colossal (2017)

By Amy Nicholson (961) for MTV News (30) on 05 Apr 2017

Colossal has no patience for piety or punishment. Even when Gloria gets punched in the face, the film refuses to sob. Instead, it's oddly heroic…

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Review of Colossal (2017)

By David Edelstein (2,124) for New York Magazine (Vulture) (3,519) on 05 Apr 2017

Vigalondo demonstrates that even the dumbest genres can be used to profound ends — not cheapening serious things but kicking them to the…

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Review of Colossal (2017)

By Jeffrey Bloomer (47) for Slate (2,081) on 05 Apr 2017

The 39-year-old Spanish director has made a bait-and-switch movie that won’t stop switching, a high-wire act he pulls off through sheer creative…

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Review of Colossal (2017)

By Michael Nordine (446) for TheWrap (3,203) on 05 Apr 2017

Hathaway makes Gloria feel familiar and unique all at once…

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Review of Colossal (2017)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 05 Apr 2017

Neither Hathaway nor the script makes any overt bids for the audience’s sympathy in Colossal, which may explain why they earn it so handily…

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Review of Colossal (2017)

By Rohan Naahar (197) for Hindustan Times (753) on 05 Apr 2017

Anne Hathaway has monsters in her closet. Watch, as she kicks them in the nethers…

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Review of Colossal (2017)

By Will Leitch (411) for The New Republic (897) on 05 Apr 2017

Colossal has a terrific, almost irresistible metaphor at its core, and it's really a shame the movie doesn't much know what to do with it…

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Review of Colossal (2017)

By Nick Schager (2,294) for Film Journal International (5,095) on 04 Apr 2017

Anne Hathaway's alcoholic mess discovers she's linked to a giant South Korean monster in this fascinatingly uneven misfire…

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Review of Colossal (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 04 Apr 2017

Even if the script’s psychological reach ultimately falls short, Colossal is still a clever, comic, wildly surreal ride — right up until…

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Review of Colossal (2017)

By Jason Bailey (832) for Flavorwire (598) on 04 Apr 2017

Beyond its genre trappings and clever turns, it's very much a film about broken people…

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Review of Colossal (2017)

By Jesse Hassenger (800) for Brooklyn Magazine (241) on 03 Apr 2017

Hathaway is at her best digging into characters who know that they might have or could have been sweethearts-and who often feel that anger,…

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Review of Colossal (2017)

By Siddhant Adlakha (174) for Birth.Movies.Death. (774) on 03 Apr 2017

Anne Hathaway is a Kaiju terrorizing Korea, and it's one of the best things you'll see this year…

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Review of Colossal (2017)

By Katie Rife (451) for AV Club (2,778) on 03 Apr 2017

Monster movies aren’t generally known for their subtlety, but leave it to Nacho Vigalondo to make one that keeps surprising its audience…

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Review of Colossal (2017)

By Stephen Whitty (1,794) for Newark Star-Ledger (1,745) on 03 Apr 2017

Its symbolism never goes beyond its own symbols - just as its moments of comedy have everything except jokes…

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