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Colossal (2017) - Critic Reviews - Page 10 of 12

181-200 of 239 Reviews

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Review of Colossal (2017)

By Michael Nordine (446) for TheWrap (3,203) on 05 Apr 2017

Hathaway makes Gloria feel familiar and unique all at once…

Review of Colossal (2017)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 05 Apr 2017

Neither Hathaway nor the script makes any overt bids for the audience’s sympathy in Colossal, which may explain why they earn it so handily…

Review of Colossal (2017)

By Rohan Naahar (197) for Hindustan Times (753) on 05 Apr 2017

Anne Hathaway has monsters in her closet. Watch, as she kicks them in the nethers…

Review of Colossal (2017)

By Will Leitch (411) for The New Republic (897) on 05 Apr 2017

Colossal has a terrific, almost irresistible metaphor at its core, and it's really a shame the movie doesn't much know what to do with it…

Review of Colossal (2017)

By Nick Schager (2,294) for Film Journal International (5,095) on 04 Apr 2017

Anne Hathaway's alcoholic mess discovers she's linked to a giant South Korean monster in this fascinatingly uneven misfire…

Review of Colossal (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 04 Apr 2017

Even if the script’s psychological reach ultimately falls short, Colossal is still a clever, comic, wildly surreal ride — right up until…

Review of Colossal (2017)

By Jason Bailey (832) for Flavorwire (598) on 04 Apr 2017

Beyond its genre trappings and clever turns, it's very much a film about broken people…

Review of Colossal (2017)

By Jesse Hassenger (800) for Brooklyn Magazine (241) on 03 Apr 2017

Hathaway is at her best digging into characters who know that they might have or could have been sweethearts-and who often feel that anger,…

Review of Colossal (2017)

By Siddhant Adlakha (174) for Birth.Movies.Death. (774) on 03 Apr 2017

Anne Hathaway is a Kaiju terrorizing Korea, and it's one of the best things you'll see this year…

Review of Colossal (2017)

By Katie Rife (451) for AV Club (2,778) on 03 Apr 2017

Monster movies aren’t generally known for their subtlety, but leave it to Nacho Vigalondo to make one that keeps surprising its audience…

Review of Colossal (2017)

By Stephen Whitty (1,794) for Newark Star-Ledger (1,745) on 03 Apr 2017

Its symbolism never goes beyond its own symbols - just as its moments of comedy have everything except jokes…

Review of Colossal (2017)

By Candice Frederick (452) for Reel Talk Online (378) on 02 Apr 2017

Writer/director Nacho Vigalondo's film is as intriguing as it is a disaster. (But mostly a disaster)…

Review of Colossal (2017)

By David Crow (142) for Den of Geek (424) on 02 Apr 2017

Colossal gives voice to struggles of self-control and shame in a clever and exceedingly cathartic way…

Review of Colossal (2017)

By Melissa Anderson (387) for Village Voice (8,525) on 02 Apr 2017

Engaging ideas bubble up every so often in Colossal, a film that carries out magical thinking to its extreme…

Review of Colossal (2017)

By Steve Macfarlane (121) for Slant Magazine (8,298) on 01 Apr 2017

When the film's whirligig plotline goes off-rail in the heady final act, Oscar and Gloria's origin story bends over backward to justify a magical-realist…

Review of Colossal (2017)

By Josephine Livingstone (57) for The New Republic (897) on 29 Mar 2017

The daikaiju genre has survived the test of time for a reason. And it is no great spoiler to say that, later on, a giant robot appears…

Review of Colossal (2017)

By Kristy Puchko (422) for CBR (174) on 15 Mar 2017

Colossal is a film so strange it's very existence seems a miracle…

Review of Colossal (2017)

By Sophia Watson (32) for FILMINK (Australia) (1,405) on 13 Mar 2017

Big, loud and dumb in the most endearing sense…

Review of Colossal (2017)

By Marc Walkow (1) for Film Comment Magazine (842) on 03 Mar 2017

It's a wonderful twist on the genre, and a surprisingly touching take on female self-empowerment and overcoming one's worst addictions…

Review of Colossal (2017)

By Fred Topel (1,193) for We Live Entertainment (357) on 08 Feb 2017

Nacho Vigalondo had the crazy idea to combine a kaiju movie with an indie dark comedy and it totally works…

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