Review of Code Unknown (2000) by Liam P — 28 Nov 2007
An engrossing, cleverly constructed film from Michael Haneke (Hidden, The Piano Teacher). Since Haneke continually refuses to answer any questions regarding his films or the meaning of his themes (a word he hates), I can only offer my own opinion as to what is going on here.
Incomplete scenes showing moments in the lives of a French African teacher in a school for the deaf, a Romanian refugee, a photographer, a teenage runaway and an aspiring actress are cut together, possibly in sequential order, and intersect and connect in various, sometimes subtle ways.
The film seems to be about the ways in which these characters feel alienated in society. There are breakdowns in communication because of generational differences, xenophobia, apathy, personal aspirations and more besides.
Each 'moment' finishes with an abrupt blackout, sometimes with characters in mid sentence, and the couple of seconds between two segments often feels likes a chance to absorb what is going on, or allow for a 'breather'.
Aside from one ingenious segment where the question of reality comes into focus, each scene is filmed without cuts, either with the camera positioned statically or on tracks, which seems to both heighten realism whilst maintaining an artificial feel, if that's even possible.
I'm not exactly sure if the film is entirely successful and some of the scenes feel superfluous, but there's some gripping and thoughtful stuff here. Juliette Binoche is especially excellent as the actress, with one particularly stand-out scene where she rehearses for a film role direct to camera; her performance (of a performance) had me utterly gripped for the few minutes the section lasted.
This review of Code Unknown (2000) was written by Liam P on 28 Nov 2007.
Code Unknown has generally received positive reviews.
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