Review of Citizen Kane (1941) by Edgar Anstey for The Spectator — 02 Jul 2018
The construction is deliberately episodic, and individual settings often appear to owe more to the modern conceptions of stage-technique than to the cinema. But the ingenuity with which the episodes are assembled sets a new level in film-construction.
You can read the full review where it was originally posted online.
This review of Citizen Kane (1941) was written by Edgar Anstey and published by The Spectator on 02 Jul 2018.
Citizen Kane has generally received very positive reviews.
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