Review of Cinema Paradiso (1988) by Terry M — 14 Jul 2009

Toto has two great loves: one that got away, and one that didn't. His childhood experiences sowed the seeds for two great romances; consequently, his career is a cohesive whole - Toto is a filmmaker and loves what he does - however, his emotional well-being leaves him hollow and wanting for the woman he might have married. The death of a friend brings Toto home to reminisce and reconcile - to take an inventory of who he is and how he got there. That's the crux of the conflict in Cinema Paradiso: unfinished business.

Toto, the central protagonist, is an Everyman, and the theme of internal conflict is universal. Viewers need only examine their own lives to find events, people, and places with profound, timeless influence similar to those at work in Toto's. The film comes by it's nostalgic sweetness honestly - without stooping to manipulative, maudlin gimmicks. There is closure before the curtain; the purgation is heart-rending and swelteringly romantic. A rewarding watch - highly recommended.

P.S. - Skip the director's cut and stick with the shorter - and better - original.