Review of Chéri (2009) by Remote G — 31 Jan 2011

By Jill Lawrie for remotegoat on 17/05/09.

Cheri based on Colette's 1920's novels is set in Paris during the twilight of the Belle Epoque, before the First World War. This stylish period production, with cinematography by the acclaimed Darius Khondji, is a visual treat from exceptional gardens, sumptuous interiors to an opulent conservatory cascading with exotic foliage.

This is an evocative love story between an aging Courtesan (Lea) and the 19 year old son (Cheri) of her former rival and colleague (Peloux). Lea is to educate the young man in the ways of love, but despite the unlikely pairing, this becomes a full-blown love affair lasting 6 years, until the jealous embittered mother yearns for grandchildren and arranges a society marriage for her son, to the virgin Edmee. The affair ends abruptly but the lovers are tortured by their separation.

Not since Dangerous Liasons, has the trio of Stephen Frears, screenwriter Christopher Hampton and Michelle Pfeiffer, been reunited. Michelle (Lea de Lonval) heads the line up on her return to the big screen, and excels in this elegant, vulnerable role. Looking stunning throughout in an array of opulent costumes and poised in breathtaking locations. The striking Rupert Friend (Cheri) gave a convincing performance as the foppish lustful romantic. Praise too for Kathy Bates (Madame Peloux) portraying the bitter spiteful character.

This film is highly recommended for the sharp performances, great chemistry between the two lovers, subtle pastel colour palette and hugely picturesque situations.