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Last updated: 24 Jun 2026 at 02:30 UTC

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Review of by David Denby for New Yorker — 14 Jan 2008

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Ewan McGregor’s bright-eyed Ian, following in the footsteps of characters in Allen’s “Crimes and Misdemeanors” and “Match Point,” is a study in guilt-free violence. But Colin Farrell’s Terry is something new.

Terry is a decent guy with many weaknesses, and, after the crime is committed, Farrell gives him a piteous self-loathing that is very touching.

You can read the full review where it was originally posted online.

This review of Cassandra's Dream (2007) was written by and published by New Yorker on 14 Jan 2008.

Cassandra's Dream has generally received positive reviews.

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