Review of Café Society (2016) by Anthony Lane for New Yorker — 04 Jul 2016
If this film has a secret, it dwells in the cinematography — by Vittorio Storaro, no less, who shot “The Conformist,” “Last Tango in Paris,” and “Apocalypse Now.” He worked with Allen on a segment of “New York Stories” (1989), but Café Society marks their first full-length collaboration, and the result is ravishing to behold.
You can read the full review where it was originally posted online.
This review of Café Society (2016) was written by Anthony Lane and published by New Yorker on 04 Jul 2016.
Café Society has generally received positive reviews.
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