Review of Caesar Must Die (2012) by Issac L — 31 Jul 2012

Taviani Brothersâ(TM)2012 Golden Berlin Bear winner, saw the screening in this yearâ(TM)s KVIFF, an intensely conceptual piece which recounts a play of âJulius Caesarâ?done by all-male prisoners. Shot entirely in Black & White, the film generates a certain art form extremity of blurring the boundary between play and film, and takes advantages of the indoor settings (which almost encompasses the entire film except for a few shots), the final result is gratifyingly diverting, both the film and the play-in-the-film.

I have only watched one Taviani Brothersâ(TM) film before, ALLONSANFAN (1974, a 5/10). So I need to do more homework to comment on their style or expound on their near 60 years long walk-of-life. Simply single out this film, its artistic frontier has transcended other peers and condensed into a puristic absorption on the material itself, namely, the characters of the play and the individual prisoners who take on the roles, and strikingly their distinctions and similarities are undone in a yet refrained way. There are affluent theatrical nuisances in the film, although it only runs a scant 76 minutes, the film successfully conveys its ethos and every second counts.

Salvatore Striano stars the leading role as Bruto, his rough-edged dedication is imperfect but authentic, other supporters, the stand-outs are Cosimo Regaâ(TM)s Cassio and Juan Dario Bonettiâ(TM)s Decio, but by and large the amateur antics are put into the right place, and the absorbing original score by Giuliano Taviani and Carmelo Travia also lifts the film into a great adaption from Shakespeareâ(TM)s cannon. Itâ(TM)s a true blessing to justify the fact that directors could surpass themselves even at their octogenarian years.