Review of Breaking the Waves (2014) by Adam G — 29 Sep 2009

I don't really feel like giving this film much credit, but for all its hatefulness and misogyny and its impossibly warped view of the world, it does have a few strengths. Emily Watson's performance is one of them; it's nice to think that her Oscar nomination is appropriate reward for the dignity she sacrificed here, weeping hysterically in every other scene and having eerie channeled dialogues with God in others. It is to her tremendous credit that she pulls them off, but again, this role is absolutely degrading. Bess is merely a conduit for Lars von Trier's inflamed "torturing good-hearted women" fetish. There's nothing to show for this movie except for the systematic destruction of a naive, slightly unbalanced woman and everything she loves.

For a movie to have depth, it must first say something, and Breaking the Waves simply doesn't. The most you could probably ascribe to it is as a dialectic on Christianity, but the movie spins so far off its axis that it's completely ineffective for this purpose. If religion is futile, how do you explain Bess' sacrifice and the resulting consequence? The final few seconds of the movie? You can take it a step further and hone it into a faith vs. organized religion argument, but Bess is unironically colored as insane for the faith she exhibits. The movie is just looking for excuses to kick her while she's down and trying to make it seem purposeful.

On an ideological basis, I'd have given this movie only one star. It is well-made and reasonably gripping on a narrative level, but only in the way that you can't turn away from a train wreck. Emily Watson's performance earns it another. If this movie doesn't imprint her name on the mind of any cinephile, nothing will. Past that, Breaking the Waves' value ends.

Perhaps the greatest irony of all in the film is that the license plate on Bess' moped says "LOL.".