Review of Blood Simple (1985) by Angel Emilio V — 25 May 2012

To be a debut, this is one of the best films ive seen this month. amaizing style they used. The ending blowed me away.

This review of Blood Simple (1985) was written by Angel Emilio V on 25 May 2012.

Blood Simple has generally received very positive reviews.

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More Reviews of Blood Simple

Review of Blood Simple (1985)

By Luis Martínez (274) for El Mundo (Spain) (301) on 03 Sep 2017

An uneven film in its construction and even something inane in its belligerence towards the enemy against which it is stirred…

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Review of Blood Simple (1985)

By Will S (635) on 21 Aug 2017

I typically don't like stories about cheating wives/bad husbands, call it an insecurity of mine, but this film is something special, despite…

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Review of Blood Simple (1985)

By Thomas P (1,379) on 07 Nov 2016

Very well executed, as you'd expect even from the early Coen brothers. It's a bit pointless…

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By Peter S (767) on 18 Feb 2017

Most directors debuts are normally forgotten about or just severely underrated…

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Review of Blood Simple (1985)

By Alon G (62) on 07 Jul 2016

The Coens' first film is perhaps their least polished venture, but it still stands as a terrific debut for cinema's most creative filmmaking duo…

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Review of Blood Simple (1985)

By Eva3Si0N (403) on 19 Jun 2022

Blood Simple directorial debut of the Coen brothers. Despite the budget of the film, it looks great now…

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Review of Blood Simple (1985)

By Randy C (345) on 26 Sep 2018

Coen Brothers have always been a bit hit or miss for me, but this is definitely one of their better efforts…

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Review of Blood Simple (1985)

By Bill M (1,080) on 28 May 2017

A dark, sweaty, seedy nightmare of a movie, Blood Simple is one of the most atmospheric films eve…

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Review of Blood Simple (1985)

By Ray S (427) on 24 Aug 2017

Blood Simple is arguably the best debut film for any filmmaker…

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Review of Blood Simple (1985)

By Simran Hans (401) for Observer (UK) (2,398) on 07 Oct 2017

Blood Simple is a reminder that the Coens are formalist film-makers first, with keen noses for composition and taut, structured storytelling,…

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