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Last updated: 09 Jun 2026 at 22:14 UTC

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Review of by Rinothebouncer — 29 Sep 2022

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I watched Blonde last night. I was impressed by it, especially the incredible cinematography and the non-traditional way of telling a story, or better say portraying a character’s feelings in an unconventional way. It reminded me so much of Spencer, in sense that it’s less of a biography and more of a psychological thriller filmed from the perspective of Marilyn herself to portray what it felt like to be her.

What I didn’t like was how it made some weird jumps in time without much explanation or details as to how she got to that point, how she met said person and why things went the way they did, not to mention how some things are almost completely made up. However, thinking about it as a movie from the perspective of a mentally troubled and traumatized person suffering under the exploitation of the spotlight makes me forgive the lack of authenticity in its storytelling. it’s like she’s on a train through some kind of an apocalypse and she can’t even make sense of things as they happen and all she remembers is the feelings, not the actual events or the people.

It’s not a biopic, its not a story of Marilyn Monroe’s factual life events, it’s an art house psychological thriller/horror about Hollywood and the way it creates celebrities, and proceeds to market, exploit and dismantle them in the most horrific way, as seen through the eyes of one of the most beautiful, most popular, most misunderstood and most traumatized celebrities in the world.

This review of Blonde (2022) was written by on 29 Sep 2022.

Blonde has generally received mixed reviews.

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