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Last updated: 07 Jun 2026 at 02:27 UTC

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Review of by Mohamed A — 05 Dec 2012

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The narrative here is a rail tunnel of raw, sprawling intimacy set in an overpopulated, decaying Barcelona ghetto. We follow Uxbal, and we're not entirely sure what he does. Neither does anybody, or him really.

Much of the things he does are criminal, mainly mitigating between corrupt police and illegal aliens, with often catastrophic results. He is also a dedicated father to two young children whose mother, his ex-wife, is a wreck of alcohol, bipolarity and promiscuity, and worse, knows her inability to control herself and is in a quicksand of bettering herself.

Uxbal also has prostate cancer, which is rapidly spreading. Also, he is internally connected with the afterlife. He doesn't see visions, he doesn't clutch shoulders and see the manner of one's impending death.

He purely senses a recently deceased spirit in the room with him. He can do nothing about their situation. He just senses them.Uxbal's ability to feel the presence of departed souls is portrayed like a sort of capacity to hear noise at the volume at which, say, a dog could only be expected to hear it.

The film's setting and happenings are a jerky, spontaneous, lateral rush of urban business, like the sight, sound and fury made by the living to distract themselves from the silence of death. Each scene seems to be a concordance of extroverted behavior and internal behavior, both with equal fervor, yet both on either side of some two-way mirror.

Only those characters, namely Uxbal, whose conflicts and dilemmas are constantly internalized, can hear that silence. Eventually, his daughter does as well, and becomes the closest to him, in what one might go as far as to consider the film's climax, a bear-like hug they both know is as fleeting as every other action in this desperate commotion of a life they lead.

Iñárritu intends to drain us. Physically, internally, emotionally. And he cleans out his total cinematic armory to do so. And like death, that is both a blessing and a curse. For however harrowing it is, Biutiful exalts us with the chance to see soul bare, through Javier Bardem's performance as Uxbal.

Watching Bardem absorb, involve and ultimately possess a many-sided role like Uxbal's is a singular delicacy, and a complete wonder. His eyes speak agonizing tomes. He hauls from an unfathomably mysterious spring of passion, grief, and who knows what else.

This review of Biutiful (2010) was written by on 05 Dec 2012.

Biutiful has generally received positive reviews.

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