Review of Bisbee '17 (2018) by Anthony Lane for The New Yorker — 09 Sep 2018
Their amateur restaging of the deportation is at the core of Greene’s movie, which grows into an adventurous exercise in drama-documentary; what could have seemed arch or awkward is handled with grace and tact, and there is even a song.
Not that all hurts are healed. The rifts and scars, like those in the landscape, are here to stay.
You can read the full review where it was originally posted online.
This review of Bisbee '17 (2018) was written by Anthony Lane and published by The New Yorker on 09 Sep 2018.
Bisbee '17 has generally received positive reviews.
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