Review of Bergman Island (2021) by Tomris Laffly for RogerEbert.com — 16 Sep 2021
The finish line in Bergman Island is of the opaque kind. But anything else would have done Hansen-Løve’s wistful sleepwalk through memory, time and cinema injustice. Her film is less a direct, clear-cut homage to Bergman, and more a searching exploration of reality and art in the way they mirror, propel and feed on one another, washing ashore remembrances both dreamy and lifelike.
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This review of Bergman Island (2021) was written by Tomris Laffly and published by RogerEbert.com on 16 Sep 2021.
Bergman Island has generally received positive reviews.
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