Watanabe and Moore acquit themselves well (although the latter’s lip-syncing is questionable), but Bel Canto falls short of the operatic notes Weitz attempts to hit.
You can read the full review where it was originally posted online.
This review of Bel Canto (2018) was written by Barry Hertz and published by Globe and Mail on 24 Oct 2018.
Bel Canto has generally received mixed reviews.
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