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Last updated: 25 Jun 2026 at 23:58 UTC

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Review of by Richard Brody for The New Yorker — 18 Apr 2023

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To set up the movie’s cagey diminution of the protagonist, Aster diminishes the protagonist’s world, too—he suppresses Beau’s identity in the interest of stoking synthetic effects and inflating a hollow and shallow spectacle.

You can read the full review where it was originally posted online.

This review of Beau Is Afraid (2023) was written by and published by The New Yorker on 18 Apr 2023.

Beau Is Afraid has generally received positive reviews.

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