Review of Battleship Potemkin (1925) by Richard Brody for New Yorker — 20 Aug 2013
The cinema's first modernist... was the Soviet director Sergei Eisenstein. As his most famous work, Battleship Potemkin, from 1925, shows, his analytical, quasi-scientific methods bore the mark of both aesthetic and political upheavals.
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This review of Battleship Potemkin (1925) was written by Richard Brody and published by New Yorker on 20 Aug 2013.
Battleship Potemkin has generally received very positive reviews.
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