Review of Babylon (2022) by Richard Brody for The New Yorker — 02 Jan 2023
Artistically, what Babylon adds to the classic Hollywood that it celebrates is sex and nudity, drugs and violence, a more diverse cast, and a batch of kitchen-sink chaos that replaces the whys and wherefores of coherent thought with the exhortation to buy a ticket, cast one’s eyes up to the screen, and worship in the dark.
You can read the full review where it was originally posted online.
This review of Babylon (2022) was written by Richard Brody and published by The New Yorker on 02 Jan 2023.
Babylon has generally received positive reviews.
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