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Last updated: 07 Jun 2026 at 17:40 UTC

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Review of by Peter Keough for Boston Globe — 24 Apr 2013

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The closest most people will get to that state of existential freedom is watching actors in a movie about it, and the pleasure usually comes with a price — a reminder that identity, though arbitrary, is also inescapable.

In movies like Dante Ariola’s debut feature, Arthur Newman, so, too, are the cliches and platitudes.

You can read the full review where it was originally posted online.

This review of Arthur Newman (2012) was written by and published by Boston Globe on 24 Apr 2013.

Arthur Newman has generally received mixed reviews.

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