Review of Arthur Newman (2012) by Peter Keough for Boston Globe — 24 Apr 2013
The closest most people will get to that state of existential freedom is watching actors in a movie about it, and the pleasure usually comes with a price — a reminder that identity, though arbitrary, is also inescapable.
In movies like Dante Ariola’s debut feature, Arthur Newman, so, too, are the cliches and platitudes.
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This review of Arthur Newman (2012) was written by Peter Keough and published by Boston Globe on 24 Apr 2013.
Arthur Newman has generally received mixed reviews.
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