Review of Argo (2012) by Booradley — 14 Jan 2013

This is an impressive offering from Ben Affleck, who is finally emerging from the Hollywood Hall of Lame to remake a name for himself. He was always talented, but fell out of favour after Armageddon, Pearl Harbor, Gigli and his bizarre and very public relationship with Jennifer Lopez.

I think he's redeemed himself with Argo, a fast-paced thriller based on the true story of the rescue of six American diplomats from Tehran during the Iran hostage crisis in 1979. Stranger than fiction, the story is compelling and emotional.

If you like a feel-good movie with some substance, you'll find it here. Some reviewers here found the film boring (I certainly did not - I barely blinked for the duration) and others have criticised the film for it's pro-American bias and for glossing over the complexities of the diplomatic crisis itself, and the plight of Iranians in revolutionary Iran.

I think this criticism is legitimate, but Affleck can't please both groups: the film has to strike a balance between historical accuracy and theatricality. The scope of the film is limited, but it tells its story well.

Affleck outs in a solid performance as CIA operative Tony Mendez. His character looks chronically depressed much of the time, and I suspect he is, as he's separated from his wife and child and apparently an alcoholic.

There is a sense from the beginning of the film that this mission, if successful, could redeem him, and he puts everything on the line to achieve that. Perhaps with the exception of Tate Donovan, the hostages themselves are not very engaging characters.

Maybe that's the point. John Goodman, Alan Arkin and Bryan Cranston on the other hand play witty, warm and engaging characters, and with great verve. Sheila Vand is impressive as Sahar, Iranian maid to the Canadian ambassador, who helps the hostages and later escapes to Iraq.

Victor Garber is great as Canadian Ambassador Ken Taylor, as is Page Leong as his wife Pat. The movie itself recreates the slightly washed-out aesthetic of a late 1970's film beautifully, so it blends seamlessly with contemporaneous documentary footage, and some of what I thought I was documentary footage was actually recreated: real and staged images are displayed side by side during the end credits, as well as pictures of the actual people involved, so we can see how closely the producers recreated the hairstyles, FACIAL-hair-styles, horn-rimmed glasses and polyester waistcoats of the real-life characters who wore them.

Alexandre Desplat's soundtrack is evocative, except for a track featuring uilleann pipes in a scene with Ben Affleck (what an Irish folk instrument is doing in a movie about Americans and Canadians in Iran is beyond me).

Ultimately I found the film really gripping and fulfilling. There's no underestimating the power of a happy ending, and in a time of ceaseless unrest in the Middle East, a small story of triumph doesn't go astray once in a while.

I'm surprised that Argo was largely overlooked it the Oscar nominations, and thrilled that it won best dramatic film, and Affleck best director, at the Golden Globes. I think it's deserved.