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Last updated: 05 Jun 2026 at 07:03 UTC

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Review of by Dave Kehr for Chicago Reader — 30 Mar 2003

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The sets, characters, and actions are extremely stylized, yet Preminger's moving camera gives them a frightening unity and fluidity, tracing a straight, clean line to a cliff top for one of the most audacious endings in film history.

You can read the full review where it was originally posted online.

This review of Angel Face (1953) was written by and published by Chicago Reader on 30 Mar 2003.

Angel Face has generally received positive reviews.

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