Review of An American in Paris (1951) by Simeon D — 23 Jul 2010
"There is a strange sort of reasoning in Hollywood that musicals are less worthy of Academy consideration than dramas. It's a form of snobbism, the same sort that perpetuates the idea that drama is more deserving of Awards than comedy.
" - Gene Kelly...But this one took home six Oscars including Best PictureThe plot is thin, no doubt, but the lengthy, beautifully choreographed dance sequences showing Kelly as a fantastic showman make up for it.
The film is rapturous and witty (Oscar Levant as pianist Adam Cook), and shows Paris to be the purveyor of the arts and love. The best aspect of the film was incorporating Kelly's character, the artist and his love for painting, into some of the musical/dance numbers (most notably the title symphony/ballet).
The cardboard painted sets are the perfect backdrop for the 17 minute final sequence as, of course, this would be the exact backdrop his dreams would have, of paintings. Not to mention, this is where the cinematography truly shines.
Set design and costume design are great, too and the Gershwin tunes, throughout, are terrific, as always.
This review of An American in Paris (1951) was written by Simeon D on 23 Jul 2010.
An American in Paris has generally received positive reviews.
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