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Last updated: 19 Jul 2026 at 17:19 UTC

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Review of by Roger Ebert for Chicago Sun-Times — 31 Jul 2007

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The real reasons to see An American in Paris are for the Kelly dance sequences, the closing ballet, the Gershwin songs, the bright locations, and a few moments of the ineffable, always curiously sad charm of Oscar Levant.

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This review of An American in Paris (1951) was written by and published by Chicago Sun-Times on 31 Jul 2007.

An American in Paris has generally received positive reviews.

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