Review of Amsterdam (2022) by Anthony Lane for The New Yorker — 11 Oct 2022
Amsterdam is, or is meant to be, a caper: an easygoing endeavor, you might think. But capering is as tricky on the silver screen as it is on the dance floor, and the tone of the tale keeps losing its footing.
You can read the full review where it was originally posted online.
This review of Amsterdam (2022) was written by Anthony Lane and published by The New Yorker on 11 Oct 2022.
Amsterdam has generally received mixed reviews.
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