Review of Amour (2012) by Marcelo G — 11 Feb 2013

Filme deprimente e apático, apesar de realista, infelizmente.

This review of Amour (2012) was written by Marcelo G on 11 Feb 2013.

Amour has generally received very positive reviews.

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More Reviews of Amour

Review of Amour (2012)

By Ryan S (2,401) on 28 Feb 2018

Exceptional performances and a story that is all too familiar for many people. Makes it impossible for the viewer not to be moved…

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Review of Amour (2012)

By Marcus W (1,161) on 29 Apr 2016

It's a good story of the challenges love can present, unfortunately it's also very slow and very dull…

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Review of Amour (2012)

By Pat Padua (495) for DCist (403) on 29 Aug 2018

Lead performances makes it convincing to a point, but these poor characters are merely players in a signature act of desperation, Haneke style…

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Review of Amour (2012)

By Spencer P (651) on 06 Oct 2015

Bold scripting, rock-solid performances, and elegant, patient direction make this an enrapturing tale from an uncommon point of view that requires…

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Review of Amour (2012)

By Kelly Jane Torrance (368) for Washington Examiner (271) on 14 Dec 2018

Amour is indeed something special and very much worth the effort it takes to see it…

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Review of Amour (2012)

By Lucasts (22) on 23 Sep 2019

Georges and Anne are in their eighties. They are cultivated, retired music teachers…

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Review of Amour (2012)

By Tim R (1,080) on 12 Nov 2015

I can understand showing the hardship in showing the eventual downfall of a loved one but the pacing is terribly slow and drawn out and for…

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Review of Amour (2012)

By Legitsalt (67) on 08 May 2020

Black Swan very well could be the best film of the decade; however, Amour takes the ceremonial prize due to Haneke’s skill as a director…

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Review of Amour (2012)

By Ryan G (1,232) on 25 Sep 2015

A hauntingly beautiful piece of realism that while not always easy to watch, stays with you on the strength of the direction and performances…

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Review of Amour (2012)

By Gerardo C (52) on 12 Jan 2018

This French film is huge, its level of intimacy and rawness is rarely seen in cinema nowdays…

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