Review of Amour (2012) by Anthony Lane for The New Yorker — 31 Dec 2012
What makes Amour so strong and clear is that it allows Haneke to anatomize his own severity.
You can read the full review where it was originally posted online.
This review of Amour (2012) was written by Anthony Lane and published by The New Yorker on 31 Dec 2012.
Amour has generally received very positive reviews.
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