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Last updated: 26 Jun 2026 at 10:54 UTC

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Review of by David Edelstein for New York Magazine (Vulture) — 20 Dec 2017

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It’s a real transformation. I’ve never heard this diction from her (Michelle Williams) before — sharp, with a hint of North Shore (i.e., old money) Long Island and perhaps a Kennedy or two. (The real Gail grew up in San Francisco but was well acquainted with the cadences of the East Coast rich.

) Through the tension in her body and intensity of her voice, Williams conveys not just the terror of losing a son but the tragic absurdity of bearing the illustrious name Getty when family ties confer zero power.

You can read the full review where it was originally posted online.

This review of All the Money in the World (2017) was written by and published by New York Magazine (Vulture) on 20 Dec 2017.

All the Money in the World has generally received positive reviews.

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