All the Beauty and the Bloodshed (2022) - Movie Reviews - Page 2 of 2

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Review of All the Beauty and the Bloodshed (2022)

By Manohla Dargis (1,909) for The New York Times (9,847) on 23 Nov 2022

The movie’s bifurcated shape isn’t novel, but Poitras’s marshaling of all this information is exceptionally graceful…

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Review of All the Beauty and the Bloodshed (2022)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 23 Nov 2022

All the Beauty and the Bloodshed is instead an incandescent work that examines Goldin’s personal life, her evolution as an artist, and her…

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Review of All the Beauty and the Bloodshed (2022)

By Lex Briscuso (44) for Slashfilm (971) on 23 Nov 2022

Nothing short of a true-life triumph, All The Beauty and the Bloodshed is all at once the most important film about addicts, outcasts, and…

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Review of All the Beauty and the Bloodshed (2022)

By Kyle Smith (1,916) for Wall Street Journal (3,071) on 23 Nov 2022

As a character portrait, All the Beauty and the Bloodshed is absorbing, but as an argument it fails…

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Review of All the Beauty and the Bloodshed (2022)

By Luke Hicks (31) for Paste Magazine (2,906) on 17 Oct 2022

Bloodshed is structured into two intersplicing sections charging forward at a rate of devastation your tear ducts absolutely cannot keep up with…

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Review of All the Beauty and the Bloodshed (2022)

By Kenji Fujishima (277) for Slant Magazine (8,298) on 19 Sep 2022

The warm, rueful, and sometimes angry All the Beauty and the Bloodshed accomplishes the goal of any documentary worthy of its genre by shining…

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Review of All the Beauty and the Bloodshed (2022)

By David Fear (910) for Rolling Stone (4,035) on 15 Sep 2022

It entered the festival circuit as a politically charged take on the standard there-goeth-the-great-artist story and exited it as a peerless…

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Review of All the Beauty and the Bloodshed (2022)

By Ben Croll (93) for TheWrap (3,203) on 12 Sep 2022

All the Beauty and the Bloodshed remains, at heart, a simple and intimate profile of a woman who sees art and activism as one and the same…

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Review of All the Beauty and the Bloodshed (2022)

By Sophie Monks Kaufman (221) for IndieWire (3,631) on 10 Sep 2022

Already a robust director, Laura Poitras has leveled up with a towering and devastating work of shocking intelligence and still greater emotional…

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Review of All the Beauty and the Bloodshed (2022)

By Rafaela Sales Ross (19) for The Playlist (3,871) on 10 Sep 2022

Having these two storylines run parallel provides for both disconnect and whiplash, a narrative choice that emphasizes what Goldin beautifully…

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Review of All the Beauty and the Bloodshed (2022)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 10 Sep 2022

All the Beauty and the Bloodshed takes [the director's] work to new aesthetic heights and wrenching emotional depths…

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Review of All the Beauty and the Bloodshed (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 10 Sep 2022

What becomes clear from the film, which vividly details the cultural backdrop as well as Goldin’s work, is that fear has never been part…

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Review of All the Beauty and the Bloodshed (2022)

By Owen Gleiberman (3,271) for Variety (12,700) on 10 Sep 2022

What’s profound, and incendiary, about “All the Beauty and the Bloodshed” is the way that Laura Poitras excavates the story of how deeply…

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Review of All the Beauty and the Bloodshed (2022)

By David Katz (41) for The Film Stage (3,162) on 10 Sep 2022

It’s important to note how successfully and stylishly Poitras and [her editing team] cross-cut between exposition and narration on Goldin’s…

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Review of All the Beauty and the Bloodshed (2022)

By John Bleasdale (289) for CineVue (2,163) on 10 Sep 2022

Goldin’s career and Poitras’ latest asserts the primacy of the artist as a participant in the world…

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