Review of All the Beauty and the Bloodshed (2022) by Manohla Dargis for The New York Times — 23 Nov 2022
The movie’s bifurcated shape isn’t novel, but Poitras’s marshaling of all this information is exceptionally graceful. She has an abundance of fantastic material at her disposal — including a generous selection of Goldin’s artwork — but what makes the movie work so well is how Poitras seamlessly uses the different sections of Goldin’s life to weave a coherent portrait of the artist.
You can read the full review where it was originally posted online.
This review of All the Beauty and the Bloodshed (2022) was written by Manohla Dargis and published by The New York Times on 23 Nov 2022.
All the Beauty and the Bloodshed has generally received very positive reviews.
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